• Money Can Buy Love

    Submitted by ITV Production on Jan 03, 2003

    Cartoon Network Enterprises India and South Asia director Jiggy George's think reading is greatest investment mind. An avid book reader tells Nidhi Jain it would allow writers to make a living and would keep India's smartness quotient in tact.

    Who introduced you to reading?
    Books are an enduring love. My parents fueled my interest for general knowledge by buying me volumes of the "Tell me why series" and encyclopedias. The idea was to balance/supplement academics and learning by rote. These books along with the Bible were introduced at a very early age. The progression in school saw phases?from the Hardy boys, Alfred Hitchcock adventures to a lot of abridged classics like Tom Sawyer, Huckleberry Fin, Moby Dick, Robinson Crusoe etc. I remember a phase of obsession with Sherlock Holmes and his myriad adventures. I wrote a letter to Baker street asking him as to why he came as close as Nepal and never visited India. I was thrilled to get a letter back explaining as to how he would love to come to India and some mystery soon would see him and Watson there. Though precocious; I did not see this as marketing. This letter made an indelible mark and now working in a job that markets dreams to kids; the letter from Sherlock keeps reminding me of how simple ideas can fuel imagination and bring unbridled joy in a kid's life!
    The one person who I believe has molded my life is my maternal uncle. He played cupid to my love for books. Bose uncle introduced me to the world of Gabriel Garcia Marquez, Milan Kundera, Salman Rushdie, and Amitav Ghosh. Though he was struggling to make a living in Mumbai; he ensured that he invest in buying me books every month. It was his investment into me and it changed my world! I started my love affair with books. It got me traveling vicariously to different parts of the world and activated the theatre of my mind.

    Kind of book collection you have
    I am promiscuous when it comes to books and my collection is eclectic and reflects the obsessions and different phases of my life. From Classics, to travelogues, from humor to contemporary literature, from graphic books, screenplays, comics to biographies. A lot of music related books and of course corporate stuff. I am not very fond of Indian authors except for my complete love and respect for the works of Amitav Ghosh, Vikram Seth and Khushwant Singh.
    I love humor and favorites include Kingsley Amis, Dave Barry, Bill Bryson and Douglas Adams.
    Comics ?I love and have the complete Tin Tin's, Asterix, Amar Chitra Katha's, Calvin and Hobbes, Gary Larson , Scott Adams (most of them?)and Mad (all of them until 2005)
    I recently got gifted a subscription to the Economist by a worthy friend. I love it and this again is now staple diet.

    On favorite authors and well written books
    This could take very long but?My current favorite is Nick Hornby and this genre of writing would so appeal to the youth of our country. Its not "high art" and pretentious and this genre of writing does not exist in India. "High Fidelity", "A long way down" and "About a boy" are all superb books!

    Salinger's Catcher in the Rye, Gabriel Garcia Marquez- love in the time of Cholera, Hundred years of solitude and Chronicles of a death foretold. John Irving's "World according to Garp", " Zorba the greek " byNikos Kazantzakis, Michael Ondaatje's "The English Patient" and Ian McEwan's " Amsterdam", "To kill a mocking bird" by Harper Lee and even Stephen King's "Shawshank redemption"
    "The Hitchhiker" series by Douglas Adams, Vikram Seth's complete works from "Golden gate" and "Equal music" to the "Suitable boy" and the wonderful travelogue "From Heaven's lake"

    "The Hitchhiker" series by Douglas Adams, Vikram Seth's complete works from "Golden gate" and "Equal music" to the "Suitable boy" and the wonderful travelogue "From Heaven's lake"?

    Every corpo type should read Seth's Hare and tortoise in his book "Beastley Tales". It is the signs of our times!

    Amitav Ghosh's "Shadow lines", Rushdie are "Shame" and "Haroun and the sea of stories." The classics like "The Great Gatsby "by Scott Fitzgerald, "The Alexandra quartet" by Lawrence Durrell, "Brighton Rock" by Graham Greene, "The adventures of Tom Sawyer" by Dickens and "Don Quixote "by Cervantes.
    I also liked "God of small things'?
    As for business related books; I am partial to biographies and loved Richard Branson's Steve Job's and J R D Tata's stories.

    I love Sidney Lumet's" making movies" and in recent times, Stephen Levitt's Freakanomics, Malcolm Gladwell's Blink and Lexus and the olive tree by Friedman were very interesting.

    Do you find interesting things in every book, how do you choose books you read?
    Most of my friends read and I trust their judgment of books. Besides, I check amazon.com, reviews of books and by browsing at bookstores. The people I love most have to live with my obsession with books- they get the same predictable gifts (a book again!) and have to live with being forced to read.

    What do you think of self help books?
    I don't think of them! I know it sells a lot of copies because all of us need help. I could not "awaken the giant within" even after trying to read Anthony Robbin's book a hundred times. I loved the Alchemist (if you put this in genre of self help) and I am an unashamed fan of some of the dummies series of books. I greatly benefited by the dummy's guide to Classical music, wines and yoga. I though Stephen Covey's seven habits was great when I read it n MBA School.

    Money and time you spend on books
    Money in this case can buy love! I spend too much money and rationalize it each time. In fact, I have been forbidden by the Home minister to buy any more books as it is impairing our social life. Fewer friends come home as there is no place to accommodate them!

    Books-an investment
    The art scene has got fashionable as its now a currency like the stock exchange. It's now cool to say you collect art. I wish this coolness quotient would translate to books. It would keep our writers and publishing industry in business. It would allow writers to make a living and it would keep India's smartness quotient in tact.
    I think reading has been my greatest investment. The returns payout greatly at work as it has helped the process of being lateral, communicating better, dreaming up the road ahead, selling a dream!

    Browsing and e-reading
    Inspite of the fact that I like technology I have still not got used to the idea of e-reading. I guess I am a tactile person. I need to touch and feel books! I guess this explains my obsession with my job?I set up new businesses with brand Pogo and Cartoon Network- the vision being that kids can touch and feel the brands beyond the realm of TV.

    Currently reading
    Thunderbolt kid by Bill Bryson, TV Nation by Michael Moore, SRK's biography and my daily dose of comics and magazines.

    indiantelevision.com Team
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  • Ashish Kaul Reviews Sasthi Brata

    Submitted by ITV Production on Jan 03, 2003

    "Rimbaud stopped writing poetry at nineteen? Jesus was crucified at thirty-three; Jack Kennedy was shot?at forty-six. I am twenty-nine years old. What have I done? What am I capable of doing? Who am I? "This is possibly the best line that describes Sasthi Brata's ulterior turmoil.

    Story of a boy, a man and the main protagonist of "My God Died Young". Penned in the late 1960s, this autobiography has been immensely popular and successful, largely due to its unassuming style and youthful angst spoke to a whole generation of those times and perhaps does that even today with ?lan and ease.

    In this explicit and irreverent autobiography, Sasthi Brata tells his life story, his increasing sense of alienation from his wealthy and extremely conservative Brahmin family, his traumatic experiences at school where the housemaster's moral lessons almost made a psychological wreck of him, his intense love affair with a girl whose parents married her off to the man of their choice, and his agonized search for roots which took him to England. Alternately tender and brutal, he lays bare the shams of tradition-bound society in India as well as in the West with his no-holds-barred honesty and astonishing insight and understanding. -- It was quite difficult back in those times to have raised issues, with a tinge of disgust, like faith and superstition, logic and science, fatalism and the freedom of choice but when I read this masterpiece in the present times I find it so relevant and I cant help but admire the genius of Shasti Brata. With due apologies to most of the contemporary writers, Shasti Brata and My God Died Young is one in a million example of a writer who doesn't have to pretend to be a writer.

    "Thanks to the twin pressures of a Brahmin home and a nonconformist upbringing," Brata notes, "Most of the time I move around in the steel braces of subconscious inhibitions." Most Indians will be conversant with this feeling. Indeed, one of the arguments advanced by Brata's book is the extent to which our adult lives are in thrall to conceptions and attitudes formed in childhood. University at Presidency College in Kolkata, and a love of debating, freed him somewhat of these shackles. He studied science, flirted with fashionable Marxist ideas, believed he was a young genius and prophet, fell in love, agonized about religion, and contemplated his place in the world. Later, unhappy in enclosed, stratified India, he moved west, and decided to pursue a path as a writer. Everywhere he found that obstacles to his dreams lay not just in the conventions of society and the shape of his personal destiny - as some people like to believe - but also in something marshy and tortured in his own nature, even more generally human nature.

    Brata's confessional language has a powerfully persuasive air. "I hated my family and since I was a part of them, I hated myself too." "My outward actions were frenzied and daring because the inner man was so tame and ordinary." "Even the most genuine emotion [I felt] was centripetal, tending towards myself in the centre, with the other person as an incidental circumference. I don't believe I had any real feelings. I sometimes wonder if I do now." "I move about in a thick viscous cloud, always looking over my shoulder to see if anyone is watching." "I was the shadow of a shadow. It is always hard to build a life on such foundations."

    Some of Brata's phrases - fusty Britishisms, and curious analogies to English examples rather than native ones of the kind one can still find in, say, a professor of English in Kolkata - are a mark of his time and place and his education. The old midwife who delivered him "looked as close to the Witches in Macbeth as Shakespeare could have imagined them to be." How could Brata know how Shakespeare had imagined his witches?
    My God Died Young culminates in a beautifully realized scene in which Brata, having returned to India for a visit, is persuaded by his parents to "view" a potential bride. Reluctant but also curious, he submits to all the rituals of the arranged-marriage experience, driving to the would-be bride's home with his parents, listening patiently to her father reeling off a list of her achievements, scrutinizing and being scrutinized by the gathered women of the girl's family. He asks the shy, veiled girl a couple of questions in front of the entire company, and hears her sing a song at his mother's request. Despite his reservations he is impressed with, even entranced by, the girl. At the same time the curious scene in which he is the chief player arouses in him a strange horror and repulsion expressed in these beautiful sentences that simultaneously evoke both a burgeoning, thriving life and a kind of moral blindness:
    "The girl sat there like a Goddess. And for a moment I felt that no one but a Goddess could have her forbearance, her beauty, the sweet maddening melody of her voice. Restively, my eyes swung round to her, so calm, so removed, so enchantingly graceful like the swift green curves of spring. Then over the rest of those hard deadening faces, severe and resolute, presiding over the closing cries of an auction mart".

    Many of my friends call My God Died Young a pensive, cranky book of a writer being both impatient with the hypocrisy of the world and despairing himself. Brata is always asking the question: "Why do we live in this way and not in any other?" This is why I feel reading someone's autobiography is a responsible job. Someone's upbringing may shake your sensibilities and cause a conflict and a war within thus creating minds that do more damage than any good. A word of caution, if you don't have a strong head on equally strong shoulders - just leave the book alone! "I wrote this book to try and understand myself," Shasti Brata says at the beginning (he was not even thirty when he wrote it), and autobiography, he knows, "demands honesty". This is the way every writer of any times must be able to write about his work and when you read that you know he means it. Frankly, I read it (and continue to do so) because I wanted to understand myself.

    indiantelevision.com Team
    exec_life_image
  • "My God Died Young" - Review by Ashish Kaul

    Submitted by ITV Production on Jan 03, 2003

    "Rimbaud stopped writing poetry at nineteen? Jesus was crucified at thirty-three; Jack Kennedy was shot?at forty-six. I am twenty-nine years old. What have I done? What am I capable of doing? Who am I? "This is possibly the best line that describes Sasthi Brata's ulterior turmoil.

    Story of a boy, a man and the main protagonist of "My God Died Young". Penned in the late 1960s, this autobiography has been immensely popular and successful, largely due to its unassuming style and youthful angst spoke to a whole generation of those times and perhaps does that even today with ?lan and ease.

    In this explicit and irreverent autobiography, Sasthi Brata tells his life story, his increasing sense of alienation from his wealthy and extremely conservative Brahmin family, his traumatic experiences at school where the housemaster's moral lessons almost made a psychological wreck of him, his intense love affair with a girl whose parents married her off to the man of their choice, and his agonized search for roots which took him to England. Alternately tender and brutal, he lays bare the shams of tradition-bound society in India as well as in the West with his no-holds-barred honesty and astonishing insight and understanding. -- It was quite difficult back in those times to have raised issues, with a tinge of disgust, like faith and superstition, logic and science, fatalism and the freedom of choice but when I read this masterpiece in the present times I find it so relevant and I cant help but admire the genius of Shasti Brata. With due apologies to most of the contemporary writers, Shasti Brata and My God Died Young is one in a million example of a writer who doesn't have to pretend to be a writer.

    "Thanks to the twin pressures of a Brahmin home and a nonconformist upbringing," Brata notes, "Most of the time I move around in the steel braces of subconscious inhibitions." Most Indians will be conversant with this feeling. Indeed, one of the arguments advanced by Brata's book is the extent to which our adult lives are in thrall to conceptions and attitudes formed in childhood. University at Presidency College in Kolkata, and a love of debating, freed him somewhat of these shackles. He studied science, flirted with fashionable Marxist ideas, believed he was a young genius and prophet, fell in love, agonized about religion, and contemplated his place in the world. Later, unhappy in enclosed, stratified India, he moved west, and decided to pursue a path as a writer. Everywhere he found that obstacles to his dreams lay not just in the conventions of society and the shape of his personal destiny - as some people like to believe - but also in something marshy and tortured in his own nature, even more generally human nature.

    Brata's confessional language has a powerfully persuasive air. "I hated my family and since I was a part of them, I hated myself too." "My outward actions were frenzied and daring because the inner man was so tame and ordinary." "Even the most genuine emotion [I felt] was centripetal, tending towards myself in the centre, with the other person as an incidental circumference. I don't believe I had any real feelings. I sometimes wonder if I do now." "I move about in a thick viscous cloud, always looking over my shoulder to see if anyone is watching." "I was the shadow of a shadow. It is always hard to build a life on such foundations."

    Some of Brata's phrases - fusty Britishisms, and curious analogies to English examples rather than native ones of the kind one can still find in, say, a professor of English in Kolkata - are a mark of his time and place and his education. The old midwife who delivered him "looked as close to the Witches in Macbeth as Shakespeare could have imagined them to be." How could Brata know how Shakespeare had imagined his witches?
    My God Died Young culminates in a beautifully realized scene in which Brata, having returned to India for a visit, is persuaded by his parents to "view" a potential bride. Reluctant but also curious, he submits to all the rituals of the arranged-marriage experience, driving to the would-be bride's home with his parents, listening patiently to her father reeling off a list of her achievements, scrutinizing and being scrutinized by the gathered women of the girl's family. He asks the shy, veiled girl a couple of questions in front of the entire company, and hears her sing a song at his mother's request. Despite his reservations he is impressed with, even entranced by, the girl. At the same time the curious scene in which he is the chief player arouses in him a strange horror and repulsion expressed in these beautiful sentences that simultaneously evoke both a burgeoning, thriving life and a kind of moral blindness:
    "The girl sat there like a Goddess. And for a moment I felt that no one but a Goddess could have her forbearance, her beauty, the sweet maddening melody of her voice. Restively, my eyes swung round to her, so calm, so removed, so enchantingly graceful like the swift green curves of spring. Then over the rest of those hard deadening faces, severe and resolute, presiding over the closing cries of an auction mart".

    Many of my friends call My God Died Young a pensive, cranky book of a writer being both impatient with the hypocrisy of the world and despairing himself. Brata is always asking the question: "Why do we live in this way and not in any other?" This is why I feel reading someone's autobiography is a responsible job. Someone's upbringing may shake your sensibilities and cause a conflict and a war within thus creating minds that do more damage than any good. A word of caution, if you don't have a strong head on equally strong shoulders - just leave the book alone! "I wrote this book to try and understand myself," Shasti Brata says at the beginning (he was not even thirty when he wrote it), and autobiography, he knows, "demands honesty". This is the way every writer of any times must be able to write about his work and when you read that you know he means it. Frankly, I read it (and continue to do so) because I wanted to understand myself.

    Reviewed by: Ashish Kaul, sr. vice president, Corporate Brand Development, Essel Corporate Resources Limited.

    indiantelevision.com Team
    exec_life_image
  • Talent: Develop It, Sell It, Be It

    Submitted by ITV Production on Jan 03, 2002

    One of the most influential business thinker-writers of our time, Tom Peters is back with a quick book on how to develop talent, sell it and be it. In his typical, informal `no-need-to-prepare' style, Peters declares that the new professional era is all about 'renewed individual responsibility'. The author says that in the new economy one cannot count on any job being there for you. What you can find is ways to move yourself along with your company up the value chain and into the heart of the new economy.

    Structured into five sections, the chapter on talent is where he rubbishes the long-term association with an organisation as 'cubicle slavery'. To put it in his words, `Lifetime employment at a corporation (cubicle slavery) is out. Life-time self-reinvention is in. The only fool-proof source of job security is your talent. And your talent will express itself by building a scintillating portfolio of `Wow' projects. And to get on with the wow projects one has to think weird as the times demand.

    So, it's all about taking responsibility of ones' professional life and taking charge of our own lives. People's professional qualities, not the character that matter now. He writes, " What coporates need is innovative, risk-taking, self sufficient entrepreneurs and not smooth-functioning organisation people," he elaborates.

    The author drives home the point by citing the example of his own Wow project. "it was about rebranding my organisation, the Tom Peters Company which took about five years. The Daniel's formula can work the magic: reward excellent failures, Punish mediocre success.

    On a lighter vein, Peters likes to call the USA, United States of 'Attitude' and stresses that the key factor to drive talent is attitude. The key to survival really lies in building a brand.

    indiantelevision.com Team
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  • Reading Appetite: MK Anand

    Submitted by ITV Production on Jan 03, 2002

    MK Anand, business head, Zoom has an eclectic taste in reading; but draws a sharp line when it comes to books on computer programming and engineering... in a candid chat with Nidhi Jain..

    Who introduced you to reading?
    My father is an avid reader. He describes his reading appetite as voracious.

     

    Kind of book collection you have
    History, Philosophy, Biology and Management.

    On favourite authors and well written books
    George Williams, Plan and Purpose in Nature. An absolute eye-opener in terms of understanding our motivations. To know why we do what we do. Brilliant Thyucidedes, The History, An account of the Peloponessian wars between Athens and Sparta.

    Do you find interesting things in every book, how do you choose books you read?
    Yes I do think that every book has something unique to offer. I choose books on instinct.

    What do you think of self help books?
    Not preferred.

    Money and time you spend on books
    Lots.

    Your reading pace
    Never in a hurry. About 40 - 50 pages a day when I am engrossed. Else about 10 pages.

    Your first book
    Nursery rhymes!! Then Enid Blyton, Franklin W Dixon.

    Browsing and e-reading
    Mainly Media Economics, for my PhD thesis.

    Currently you are reading
    Corporate Social Ethics, HBR .

    Books that do not hold you
    Computer Programming and Engineering books!!!

    indiantelevision.com Team
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  • "I am a self confessed bookworm" - Zarina Mehta

    Submitted by ITV Production on Jan 03, 2001

    In Conversation With Zarina Mehta

    "My favourite thing in the world is to sit on a beach (preferably Goa), sip a cup of tea and read a good book. I've read and re-read some of my favourite books doing precisely this!

    I make it a point to read on all holidays, or in planes while travelling. Also, Sunday afternoons after a good dhansak lunch (or dimsum at Royal China) my husband Ronnie works on his computer, I sit by my balcony; which looks out on some beautiful trees, with my dog near my feet (snoring away), drink hot tea and catch up on a good book. My idea of happiness!

    I probably have over 500-600 books or maybe more. I buy at least 2-3 books a week and read them. In fact, many of them are still lying at my parents' house as there is no space for them in my home! Noone really knows what books I like or buy, since I don't ever lend my books nor do I borrow them. If I'm attached to any objects in this world - it's my books! I can't stand it when people fold the page of their books to serve as a bookmark. It sort of drives me crazy!

    My fetish and love for the printed word started when I was eight. Till then I was in the US and studied in an American public school. And when I came to India, many of my relatives sort of found it funny that I couldn't even read or write. To make up for the lost time, I took to reading with a vengeance. Now, I am a self-confessed bookworm."

    My favourite books

    " I keep away from books on the television industry since that is something that we deal with on a regular basis. My all-time favourite is Tolkein's, Lord of the Rings Trilogy; which I first read when I was 15. And recently I re-read it for the 9th time! It reminds me of the classic Don Quixote story? where a single, ordinary person fights against all odds to rise above the rest. And by far, the outcome is not important as Lord Krishna says in the Bhagwad Geeta. The fact that someone chooses to sacrifice themselves to fight for what is right is the key to this story.

    It is, in fact this story which influences me in everything I do. A single person can make the biggest difference. So I believe it's important to try regardless of the consequences. If you succeed, it's wonderful and if you fail, that's alright too - at least you tried. You learnt something. This is why we all are here.

    Some other books which I've enjoyed reading are Milan Kundera's - The Unbearable Lightness of Being, Gabriel Garcia Marquez's, Love in the time of Cholera; and more recently Kurban Said's Ali and Nino is another masterpiece. These books explore the various shades of a man-woman relationship.

    Some other authors I love are Amy Tan and Chitra Dwarka Banerjee, who have written some beautiful stories about women bonding; about the subtle yet strong relationships hey share.

    Vikram Chandra's Love and Longing in Bombay and Rohington Mistry's A Fine Balance, possibly the most exquisitely depressing book ever written. On a totally different track, I love books on Maths and Science and I've read all the Time & Life books from cover to cover! I remember reading another off-beat & fascinating book called The Dancing Wu Li Masters by Gary Zukav which is about the beauty of physics!

    Currently, I am reading...

    As of now, I am reading Swami Vivekananda's entire work. He is the most brilliant mind I've come across.His thoughts are a great source of knowledge and hope for all of us. I wish practitioners of today's so-called `Hindutva' read his books to understand the true meaning of Hinduism. I think, it's the most beautiful, tolerant and all-encompassing of philosophies. I am also onto another fascinating book by Thomas Friedman called The World is Flat. It clearly tells us that the future belongs to India and China."

    indiantelevision.com Team
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