For Andre Nair, chairman and CEO of Mediaedge:cia Asia Pacific, it is time to pack his bags. After three more than successful years at the helm of GroupM in India, Nair's last working day in India will be 14 January, after which he heads out to Singapore, where he will be based. This is not to say that Nair is severing all links to India. He continues to retain overall responsibility for GroupM in India, as too Mediaedge:CIA India - which resides within GroupM but operates independently.
As a parting shot to the media frat as it were, Nair offers indiantelevision.com a glimpse of his three years as head of the country's most powerful by far media independent and his take on the media business.
In this, the first of a two-part interview, get a load of Nairspeak on what's good, bad, and ugly about the media business in India, both on the client side and as regards rival agencies.
You're all set to head out to a new challenge. Looking back over the last three years, what have been the highs of heading WPP's media agencies in India? The third high, which stretches into the fourth, was that within the first three months of official launch we won nine new business pitches. Carrying that forward into end-2002 we had 53 business wins and no losses as far as existing clients moving out. Over the last three years we've won over 190 new pieces of business. On the manpower front we had two great hires in Vikram Sakhuja (Mindshare Fulcrum) and M Sukumurthy (Broadmind). And CVL Srinivasan in end 2003. Also, empowering our senior managers. Having P&L responsibility to manage their own units was a big thing for them. There are some common threads that run through all this: new business, growth of individuals, hiring of great talent, launching of new business units and companies. We launched Mediaedge:cia in May. Finally, being recognized over the course of three years for the work we've done which is reflected in the number of external and internal regional and Indian media awards we've won. The highlights of which were winning the annual Asia Pacific Media Magazine "Office of the year" in 2002 and EMVIES "Media Agency of the year" 2003. |
||
And the lows? Keeping aside businesses that you failed to win. |
||
When you came here, one of your primary responsibilities was to manage the smooth integration of HTA Media, O&M Media and Contract Media into GroupM. The common assumption is that if you hadn't been there, there would have been a turf fight among senior executives. Could that be termed as one of your key successes? As in managing the transition in such a smooth and seamless fashion? |
||
So what is your take on the media scene in India today? What's the biggest problem that the industry is confronting? Two, as an industry we've never really got to grips with training our people. I still fear for the brain drain of media folk to other industries. And even if they are in the same industry, leaving India, so the rest of Asia gets the benefit of our talent. |
||
When you say the continual erosion of remuneration, doesn't that boil down to the big issue among all the media agencies, which is margins? Some clients seem not to realize that there is a cost of doing business. And cost of business, particularly in our industry, in a large way goes to staffing quality people. Some of them are single mindedly working to cut the remuneration down so that it is not a question anymore of margins; it's a question of trying to break even or preventing going into loss. |
||
|
||
If everybody is aware that the problem is eroding remuneration as you term it, why isn't the industry collectively working together to raise the bar? |
||
But one criticism that Group M in particular seems to constantly have thrown in its face is that they were the leaders and they started the whole two-and-half per cent game. The creative agencies started this game prior to the coming of age of media agencies, by getting the AAAI to prescribe the breakup of media as 2.5 per cent out of 15 per cent, and since they never invested in building their media product, the market saw no reason to disturb this remuneration structure. We have been fighting this from the day we started, and there are clients who are now seeing the greater value we bring and beginning to remunerate differently. We do not go out and charge the two-and-half per cent every which way. What we do is we say to clients, 'If you want this scope of work it's X per cent, if you want more then it's plus X per cent.' So remuneration is scaled up or down according to the scope of work. We work with clients in a range of commission levels. But today more than half our business, close to 60 per cent in fact, is fee remuneration and fees are based on scope of work with incentive upsides based on performance evaluations. Ultimately fees are the fairest system of all because a client gets what they pay for. |
||
If there is that kind of clarity in terms of what you bill, then it's a take or leave, so what's the problem? The problem is that apart from us, Carat and Madison, there are no other independent media agencies in India. All the rest are full service agencies with branded (and subsidised) media departments calling themselves media agencies. And these agencies, in order to compete with the media agencies, give away media free, or try and value them at 2% and less in pitches - as they are anyway working on creative at 5-7.5% and have no investment worth talking about, in their media product. Obviously many clients see through this, but there's always the temptation to use these benchmarks to negotiate remuneration with the real media agencies. And what complicates the scenario further is that the few other media agencies in the fray are in this desperate volume building game at any cost, and are accepting business at 2.5% and less, and not too bothered about profitability at this point in time. |
||
You talk of eroding remuneration but all the big agencies, whether yours, Madison, Rediffusion DY&R and the like have had a stellar year, clocking 15+ per cent profit growth. Which takes me back to my previous point - if there is clarity in terms of what you bill, where's the problem? And your top and bottom lines also reflect that. We should be remunerated appropriately for each of the clients we work for. We don't want to get into a situation of where profitable clients subsidise other clients - that's just not fair or healthy. |
||
"We work with clients in a range of commission levels. But today close to 60 per cent of our business is fee remuneration and fees are based on scope of work with incentive upsides based on performance evaluations" |
||
One offshoot of the size that is Group M today is the number of oftentimes big daddy clients that you service. Now take cricket on TV for instance, how do you manage competing demands from similar category clients having similar requirements for what is a finite inventory availability? But that is the end of the process. The beginning is that we will get the inventory because we have such large requirements. We get it at a price that is better. |
||
Is it always better? |
||
Staying with the cricket example, and I believe this can be extended to other genres as well. Would not the very size of your cricket requirement make it an inverse monopoly kind of situation? Wherein you cannot walk away from it even if you do not agree on the price? Coming back to the original question (of managing clients wanting the same thing), in all the instances that we've gone through, it has never happened that two clients both have exactly the same requirement. And if you're looking at cricket, it is also because of the sheer amount of inventory that has increased substantially from 2002 to 2004 moving into 2005. There's enough inventory out there for agencies to purchase. |
||
Looking at trends in the business, one common strategy among all media companies today is the increasing importance given to BTL activities - direct mail, market research, public relations, promotional events, Internet Marketing. What has been the growth in BTL as opposed to the traditional prints and TV buys? |
||
Ok, nonconventional media. If one were to look at growth, how does it stack up today? Globally as well as in India? Some of them are very fast growing. Event management for instance. Internet, outside of India is growing at a much faster pace. But I think if you look at where Japan is today in its media mix, it can give some indication of the potential nonconventional media holds. 30 per cent of advertising money spent in Japan goes into things other than TV, print, radio, outdoors and Internet. |
||
And now of course there is wireless. Does wireless have the potential to overtake all the others do you think? |